Stories

The Colors’ Waltz – A Short Story

by Lydia I. Martinov

Can’t think. Can’t make out an intelligible thought. Yet, at the same time, thoughts are racing. One after the other. From the back of this terrified mind to the front. Trying to compete for first place at the tip of this head. A bead of sweat rolled down this burning, horrified face. How could it calmly make its way down in a time like this? Shaky hands, but they won’t budge. Won’t move. They must find their way to the backpack, but they won’t listen. Won’t do something so simple as removing the straps off this aching back. “W-what-”. I hear a voice. Who is it? It sounds awfully familiar…”What do I do-” This should be a question. But there is no rise in pitch at the end. Not like a question. More like a statement. Only now, I remember why I recognize this voice. It came from no lips but my own. Trembling and barely able to speak. Suddenly, it was as if my very source of breath had been swept away from my body. An awful wave of nausea comes over me. This head of mine becomes light. Lighter than air. Like it could just float away. Up, free into the sky. As the pounding of my heart grows louder, like a pair of cymbals turning into a gong, it feels as if my ears are ringing. A high pitched, constant sound that implants itself into my mind. I struggle to inhale. It feels like a giant machine pushing through thousands of years of growing forest. Air pushing through to my lungs. I finally manage to inhale. Exhale. Once, twice. 

Now it’s manageable. I haven’t been breathing. I open my eyes, not even realizing that they were closed in the first place. In front of me is a massive rock, wearing moss as if it is a fashionable outfit chosen just for the spring. All around are mossy, green giants. The bark appears red underneath, but the layer of moss makes it hard to tell. The branches reach up toward the top of the canopy, made of leaves and all kinds of life. Though entranced by the beauty and tranquility of the forest, I still must remain silent, and allow my head to clear. The reason I wandered off in the first place was the beauty of the forest drawing me in, making me lose myself, with the same effect of a siren song for a few minutes…or seconds…maybe hours? I lost track. Now I can’t find the path. Perhaps my longing to capture one of the largest, most wild forests has brought me to an impossible position. A grave mistake. Though, when I heard about a beautiful place that remains untouched by man, I knew it was my duty as a journalist to photograph and share with the world the beauty of this seemingly magical place. Now, here I am, trapped in the middle of the dense, endless, lush woodland. Though my pounding heart is still clouding my ears, I have regained enough of myself to once again make decisions. I don’t know which way the path is, so I need to summon my inner knowledge from those nature documentaries.

I throw off my backpack, and my sore, aching back thanks me by reminding me of how heavy my things are. I take a look inside to double check my inventory. I have no idea how long I will remain here. A shiver runs down my spine at the very thought. I pull out my pen and notebook to document my journey, because, if this is truly happening, I should at least bring home an incredible story. I write about my current situation, and take notes of everything in my bag. I have half a liter left in my water bottle. I should probably conserve it, along with the ham and swiss sandwich and snack packs. Continuing to rummage through my bag, I find a light jacket, and…a radio? I forgot that it was there! I feel a grin take over my face, and my heart pounds harder. A tear of relief falls down my cheek as I take the radio out and open the antennae. I switch it on, and press the button to speak. “Hello?” I say. “Anyone out there?” I let go of the button, and listen. There is no voice. No static. No sound. I look at the radio, and see a flashing red light. The dead battery indicator. My tear of relief turns to a tear of disappointment and despair. I hear a whimper escape my lips, and feel my bottom lip begin to quiver. “No,” I command myself. I will not cry. I need to keep myself together, because emotions won’t get me home. I look at the sky. “The sun rises in the east, and sets in the west.” I say to myself. I should travel in one direction, and I can use the sun to guide me. I decide to walk west, because that is where the sun currently is…because it will soon set. I should walk until I find civilization, or at least a river I can follow downstream. I pick up my backpack, ignoring the cracks my back gives me in response, and begin walking. 

It has been a few hours, and I can hardly move my legs. My feet are aching so much, and my back feels ready to collapse. The sun is setting, and I realize that once it gets dark, I will no longer have it to guide me. I could begin traveling in circles. My body is exhausted, and the creepers will soon begin coming out. I hear a twig snap in the distance, and I go silent. A howl. Does that mean…wolves? I can hear the “clickety-click-click” of my chattering teeth. The swishing of fabric as my knees shake in my khaki colored hiking pants. The “fight-or-flight” instinct hits me in an instant. I must find shelter. I tip-toe forward and look left and right. The uneven ground rises into a small, eroded cliff. It has a hole inside big enough for me to fit, and just deep enough to lie down. I get to work. Throwing my backpack into the hole, I grab any sticks or small logs within a fifteen foot radius. Then, I climb into the hole and build a wall at the entrance to keep out any unwanted visitors. The sun has nearly set, and the stars are somewhat visible through the canopy of leaves. I lay down, using my backpack as a pillow, and gaze through the holes between the sticks. Hearing a twig break nearby, my eyes dart toward the noise. I see a massive, yet beautiful wolf casually striding through his territory. He doesn’t appear to notice me, and I can’t take my eyes off him. I am entranced by his magnificence. So much so that I am no longer trembling. After a few minutes, my face finds my makeshift pillow, and my eyelids collapse, no longer able to handle the weight of this burden.

A rustling sound awakens me, and I feel sore, yet alert. My branch barricade seems to have fallen down, and I find myself nose to nose with…the most adorable creature I have ever laid my eyes on. Its innocent eyes are staring as if into my soul, like black beads with a story to tell. Its long, fuzzy ears are sticking straight up into the air, scouting for danger. Its curious little nose twitching to inspect mine. Suddenly, the rabbit turns its head, as it appears to have heard something, and quickly hops away. I sit up, and look around, recalling the events of the evening. The sun is up, yet hidden above the sheltering canopy. I hear a low grumbling sound. “Calm down,” I say to my stomach. It growls in response, more than ready for a big meal. I take my backpack, and look inside. Wrappers are loose and broken, and the sandwich has disappeared. I sigh deeply with disappointment. Some critters must have ransacked my scraps. Though I know nothing about finding food in the woods, I will certainly try. If  I continue my travels west, then maybe I will eventually find berries, or fruit along the way. I pick up my water bottle and shake it. Thank goodness there is still a bit of water left inside. I take a sip, throw on my backpack, and return on my path to…well…a path. After walking for about half an hour, I am disappointed to have found nothing that appears edible. Just as my heart gives up on my stomach, I see a group of mushrooms on the ground. They appear normal, given their brownish color and small size. I pick one up. It isn’t the red poisonous one, which is good. Though, on the other hand, it could be the infamous “magic mushroom” which causes hallucinations. I’m ninety percent sure that it is safe. My stomach loudly growls, desperate for any kind of meal. I close my eyes, and stuff two mushrooms into my mouth. I need more. I quickly consume another five, and put the rest in my backpack, continuing my journey. I walk for another few minutes until, suddenly, I feel really…dizzy…

Eyes. Open. Close. Too bright. The sun is here. Right in front. Intending to burn anyone and anything to a crisp. She sits up. Or rather…attempts to. Prying her overworked, confused, fighting eyes open, she sees everything. Yet…nothing? Shocked, her eyes dart around. Up. Down. Left. Right. Upside down. Zoom in. Zoom out. Through dimensions. Up to space. The colors all around are blending together. Blending. Splitting. Twisting. Unraveling. One, two, three, four, thirty-six, twelve, one-hundred fourty-two, seven. There are a few too many colors to count. Too many to exist. Too many to fathom. She stands, and steps forward, the colors dancing around her as if they’re waltzing at a ball, and she’s the guest of honor. In the distance…or an inch away…is a massive, Victorian house. Putting a wobbling, altering hand out, she reaches to feel for the handle of the front door.

Suddenly, I fall forward, landing on a polished, dark, wooden floor. The colors are no longer spinning. No longer dancing. No longer blinding. The air is calm. Silent. Now, I am able to stand up with ease. What I see makes me feel…like I am going to faint.

Stepping forward, I see a massive painting. I feel a mellow familiarity. As if my heart, itself, is locked in a warm embrace. I am at ease. Calm. As if I am under my own soft covers with a pleasantly hot drink in hand, a gorgeous day visible through the windows. Sunlight swimming around the room with a certain grace. Though…even looking directly at the painting, studying its golden, twisting vine of a frame, my eyes cannot focus. The blur of the painting persists, no matter how hard I look. I fall.

I wake up on the ground, a pounding pain in my head. In an attempt to open my eyes, I see a bright light above, and close them again. Slowly, I manage to sit up, confused. My out-of-body experience has left me puzzled. I inhale deeply through my dry throat. Thirstier than I have ever been, I reach for my water bottle. It is completely empty. I will never allow another mushroom to touch my lips. It was an atrocious mistake. Behind me, I notice something that washes away the remaining feeling of fright, replacing it with relief. A small, clear river, with a width of about 5 feet, rushes on its course through the trees, racing below the shine of the sun, partly visible between the leaves. I open my water bottle, and lower it into the stream. Then, I lift it up to my lips, and take a big, slow sip, followed by a series of quick chugs and gulps, fighting to empty the entire container. Yet not fully cleared, my excruciating headache mostly subsides. I regain enough strength to stand. Though still aching, I manage to walk, continuing my journey. Now that I have found a river, although accidentally, I may continue my journey downstream. Hopefully, I will succeed in finding signs of civilization before the end. My mind still does not feel like itself. I am unsure of the experience I had within the past half hour…or few hours. I have no idea how long my mind was taken over. I pause to write about this in my notebook. It may be of use to read about it again later on to better make sense of what happened. Putting my notebook away, I resume my journey.

After about 3 hours of walking, I see a clearly man-made line of wooden stakes in the ground. I run. Faster. Faster. Faster. Until I see a campground of some sort full of small buildings. Where there are buildings, there are people. Tears flow out of my eyes, and down my cheeks as I burst into a sprint. My mind is racing. I was so afraid of what would become of this. So scared without knowing what to do, or how long I would remain beneath the canopy of the trees, being a house-guest in the den of a resentful wolf, protecting its territory. I am free from the indecision of what to consume. Free of once again falling under the curse of the waltzing colors.

News, Science

Brownfields: Brown is the Next Green!

by Meru S.

A Brownfield – Courtesy of University of Illinois Chicago

A property can be considered a brownfield and not just an abandoned building when the local city detects contaminants underground beneath the property. Additionally, it can be regarded as a brownfield even if there is only a possibility of pollutants, since in both circumstances, it would be unsafe for prolonged human activity or residence. Brownfields are generally previously occupied plots that are no longer in use.

Sites that may possibly become brownfields in the future include gas stations, industrial buildings, and older houses. Leakages in subterranean gas pipes can toxify the land around gas pumps. Similarly, chemicals can seep into the area around factories, resulting in spaces that are hazardous to residences. Homes that were built before 1978 are more likely to contain lead, particularly in the paint. Therefore, when these houses dilapidate over time and layers of paint peel and decay, it releases lead into the surrounding yards. We can prevent brownfields by repairing gas and chemical leaks, and safely renovating old homes.

         Once remedied, brownfields can be redeveloped, providing environmental, aesthetic, and security benefits. After toxins are identified and eliminated, the site can be transformed into parks, shops, and other functioning premises. The decontamination contributes to the health of the environment. When new buildings are constructed, preexisting structures and roads can be incorporated into the new development, inhibiting sprawl. This process of including prior derelicts is called infill-development. Finally, brownfields are often neglected and unattractive, instigating higher crime rates in the local neighborhood and dissuading people from moving to the area, so restoring these plots restores the city’s status as well. 

Redeveloped Beacon – Courtesy of Commonwealth Beacon
Arts and Culture

How an Opera Comes Together – Part 1.

by Aleena Haimor

Recently, my father was invited to Indiana University (IU) Jacobs School of Music at Bloomington, Indiana, to conduct a production of Maurice Ravel’s opera, L’Enfant et les Sortilèges (The Child and the Spells). My dad went to IU from 2008-2009, where he completed his master’s degree in conducting. Now, he works as the Music Director of the Marin Symphony in Marin, California.

It has been an eye-opening experience for me, personally, to watch these rehearsals and see how an opera comes together, and I thought it would be amazing to share all about it!

So, without further ado, this is how an opera is made!


What is an opera?

An opera is a musical drama, where actors in costumes tell a story fully or mostly through singing, with sets and props. Opera means ‘work’ in Italian. Singers do not use microphones, and all of the music and singing is live.


About L’Enfant et les Sortilèges

A one-act, fifty-minute French opera composed by Maurice Ravel. A naughty little boy causes mayhem and treats his toys and everything around him carelessly. Suddenly, all of the objects in his room come to life. He approaches the fire, who ‘burns the naughty and warms the polite’. He is taunted by cats, cups and armchairs. Over the course of the opera, he learns that his actions have an effect on others. The child becomes kind, treating the animals and objects well when they eventually try to attack him. All the animals and objects praise his new wisdom.


The Early Stages: 

Every opera needs a cast. This opera, performed by a university-age cast (ranging from 18 to 27 years of age), has about eighteen characters aside from the chorus. I had the great privilege to speak to many people who are part of the two casts performing the same opera on different days. 

The play will be performed on October 17th and 18th, and the two cast lists came out way back in May. The actors and actresses rehearsed for hours on ends, almost every day, practicing on their own for weeks before starting rehearsals together. They also managed to keep their grades up from the many other university classes they were taking. I was able to interview some of the cast, and here is a short conversation I had with Sarai Burgos, who plays the protagonist in one of the two casts. Even though the character is a boy, many child male roles are played by girls, because of how high pitched a child’s voice is.


Aleena Haimor: How old are you, and what year of university?

Sarai Burgos: I’m 23, and in my second year master’s.

AH: What was your reaction to getting cast as L’Enfant (The Child)?

SB: It was amongst a bunch of other crazy things. My voice teacher emailed me a bit before the cast list came out. I was really grateful and happy.

AH: Tell us a bit about L’Enfant and how you’re bringing him to life?

SB: My character is around 7 or 8, maybe a little older, maybe a little younger. He’s pretty complex. There are a lot of ways my imagination can bring him to life. To me, he really wants to be seen and understood by others, but it comes across as being naughty or mean. Deep down, he’s really sweet and cares about others.

AH: Any acting tips for young actors and actresses?

SB: Learn to put yourself to the side and fully embrace communicating to the audience.  

Thank you so much, Sarai!

Sarai Burgos

Learning French Lyrics:

L’Enfant et les Sortilèges is completely sung-through in French, and the actors and actresses had to start learning French lyrics for the opera. They worked with a French dictation coach, Elsa Quéron, to make sure they pronounced the beautiful words correctly. 

Rehearsal, Late September

One of the actresses, Leah Nykaza, was luckily already familiar with the French language. She is playing L’Enfant in the second cast. She did an interview with me about how it was easier, yet still difficult, to pronounce words right.


Aleena Haimor: How old are you, and what year of university?

Leah Nykaza: I’m 21, and it’s my senior year of college.

AH: What character do you play, and what was your reaction to getting cast?

LN: I’m playing L’Enfant, and when I found out, I was excited and surprised. It’s my very first time being in a university production and an opera.

AH: Was it hard learning French for the opera?

LN: Luckily, I just finished taking two whole semesters of French last year. The two hardest things are the sounds we don’t have in English, and the difference between singing in French and speaking in French.

Thank you for speaking with me, Leah!

Leah Nykaza

This is part one of a multi-part article! Part two is out next month. Thank you for reading The Lighthouse!

Thank you to these incredible people for enabling me to write this article!

Actors/Actresses: Sarai Burgos, Leah Nykaza, Chloe Hopson, Kathleen Simunek, Natalie Vong, Pelagia Pamel, Maggie Stall, Kathrine Barbour, Jisoo Choi, Morgan Feeney-Davies, Brynn Jacobs, Nate Paul, Jeremiah Angel, Evan Gunter, Cody Horne, Andreas Psillos, Molly Singer, Cathrine Tamayo, Ana Ambartsumian, Ambriehl Ivy, Nina Royston, Kirsten Tierney, Yixin Yang, and Langelihle Mngxati.

Chorus: Julianna Banfe, Emma DiSanto, Savanna Holley, Laura Looper, Ruby Miller, Sabrina Schubert, Lauren Smedberg, Brittany Weinstock, Issana Yaguda, Simo Brea, Tynan Butler, Robbie Erickson, Lane Harden, Gannon Hays, Xiang Li, Preston Rogers, Stephen Stavnicky, and Tyler Whitney.

Production: Fawzi Haimor, Omer Ben Seadia, Walter Huff, Lydia Spellman, Russell Long, Gina Cerimele-Mechley, Olivia Essebaggers, Virgil Fok, Katrina Keat, Rachel Rock, Jennifer Hong, Miles Swaminathan, Shuichi Umeyama, Chuck Prestinari, Janice Kim, and Elsa Quéron.

Sources: 

https://www.eno.org/discover-opera/articles/the-beginners-guide-to-opera/

https://www.glyndebourne.com/opera-archive/explore-our-operas/explore-lenfant-et-les-sortileges/lenfant-et-les-sortileges-synopsis/

https://operaballet.indiana.edu/events/lenfant-et-les-sortileges.html

Science

3D Modeling Software for 3D Printing

by Camden S.

One thing that everyone needs when making a 3D printed model is 3D modeling software. No matter if you are new to the hobby, or have some experience, a program for creating objects is a crucial tool. This article is about software specifically for 3D printing, yet can be used in a variety of applications, and this will be discussed in a bit more detail later on. But, what 3D modeling software should you use?

Tinkercad:

Tinkercad is one the easiest modeling software to learn due to its simple nature. It’s web-based, with a low learning curve, making it perfect for beginners. In Tinkercad, you use shapes to create complicated objects piece by piece by grouping them together, then cutting a hole out from the overlapping parts, like a cookie cutter. Tinkercad is primarily oriented towards younger users, but anyone can use it, especially when starting out.

Fusion:

Fusion can be seen as an older sibling to Tinkercad and is free for hobby use. It uses dimensions, which define how big each part of your object will end up, and how it’s positioned in relation to other parts. This allows for easy modification of the project later on, and to have a  history of past edits that you can get back to for editing. Fusion is used by hobbyists, as well as professionals in 3D printing, and the manufacturing of many products. This software  has a higher learning curve than Tinkercad; however, it’s worth the work for people who want a more powerful program.

Fusion

Blender:

Blender is open source, and free to use for everyone. It uses individual points in space called vertices, with lines connecting those vertices, called edges, which you can connect to create faces. Blender is the most versatile software described in this article, and can be used for anything from modeling to animation, and even making full movies. It is able to create objects that wouldn’t be possible in the other two. For example, realistic plants and animals, or basically any organic shapes can be designed with this software. But with that comes a caveat: Blender has a very high learning curve, so the ability to use it to its full potential may take a lot of time and effort. It’s a very powerful tool, but with great power comes great responsibility.

Blender
Blender

Here are a few examples as to how each of these fundamentally work. (These are not full tutorials, so every detail won’t be included, but it should give you a good idea of how the software works.) So, let’s say you want to make a cube with a square hole on the top:

In Tinkercad you would create two cubes one bigger than the other. Take the small cube and put it on the top of the big cube half of it inside. Then select the type of the small cube as “Hole”. Lastly, group both together, this will cut the part of the small cube into the big cube.

In Fusion, start by creating a sketch on the floor plane, then create a 2-point rectangle on the sketch putting in how big each side will be. Then, finish the sketch and extrude it up and write in how tall you want it to be. Then create a sketch of the top of the cube and extrude it down and tell it how deep you want to hole.

In Blender, begin with adding a cube. Next enter edit mode and select the top face and inset it. Then extrude down.

Each software is unique and offers different tools, so I recommend trying each one to see what best suits your preferences. Happy printing!

Stories

The Midgard Serpent – Percy Jackson Fanfiction ~ Ch. 13

by Emery Pugh

Chapter 13

Godric

I thought I wouldn’t be able to sleep that night – but I was wrong. I passed out as soon as I laid down, not even changed into my pajamas.

For the first time in years, I had a solid night’s sleep. No demigod dreams or visions. I guess the Fates finally gave me a break.

I woke up naturally as the sun’s rays shone through the cabin window. Springing out of bed, I started packing a small bag for the quest – I had a small Celestial Bronze dagger, some matches, a book, a watch, and dozens of snack bars.

I took a glance back at my cabin as I walked outside, hoping it wouldn’t be the last time I see it.

The warm light of dawn filled the valley as I strolled towards Thalia’s pine tree with the Golden Fleece (which helps protect the camp through its powerful magic). We’re all supposed to meet here before our departure to Charleston, South Carolina, where we would meet the other part of the team from Camp Jupiter.

Sanderson and Andromeda arrived a few minutes later. The air was grim and nobody said a word.

A thought nagged me at the back of my mind. It was a flashback to the horrors of my last quest. I gritted my teeth and pushed the thought away.

Based on the look Sanderson gave me, he was thinking the same thing. We held our gaze for a few moments, but it felt like an eternity. In time-lapse, we both re-experienced the previous quest.

My eyes stung as I tore my eyes away. I closed my eyes and took a deep breath. This quest won’t be like the last one. But even as I said it, I knew I was lying to myself. Was it really going to be different?

Hector was the last one to arrive, by thirty minutes. Nobody blamed him for that – he was a new camper, and he was already having a potential death sentence handed to him.

Beside him were two satyrs, chattering nervously. I caught snippets of their conversation – they were trying to help Hector perceive this new weird world of gods and monsters.

My vocal cords felt like they were glued together with adhesive. I forced them apart. “Are we all ready?”

Sanderson and Andromeda nodded. Hector gave me a shy glance. Garret and Hedge quieted down and stood to attention.

I nudged my chin in the direction of a white van with the design of Camp Half-Blood on it – strawberries. We’d sell the strawberries that grew in the fields in New York City to earn our funding. The vans were often repurposed, though, for quests.

We climbed inside. The driver was already waiting for us in the front seat. I took my place directly behind the driver with Sanderson and Andromeda to my right, and Hector and the two satyrs behind us.

“To Grand Central Terminal, New York City,” I instructed the driver. With a skid, we were off.

___________________________________________________________________________________

The atmosphere started out terse – nobody said a word. Gradually, though, it loosened up. Sanderson and I exchanged jokes while Andromeda laughed at them. Even Hector and the satyrs threw in a few good ones.

I grabbed a snack bar from my backpack and slowly munched on it, pondering the quest. I didn’t know anyone from the Roman side of the quest team. Would we all get along? And would there be conflict as to who would lead the quest? I was only the head of the Greek side – the Romans probably chose someone to represent them too.

I sighed. As a son of Zeus, I had high expectations held to me. Being the quest leader wasn’t anything special – it only loaded more burden onto my shoulders. If the quest failed, I’d be mostly to blame.

Just like last time, that little voice in my head whispered.

Shut up, I told it. It’s going to be different.

Thankfully, the voice said nothing more.

“Godric?” Sanderson tapped me on the shoulder. “Are you okay? You’re sending electric sparks everywhere.”

I blinked, startled out of my daze of thoughts. The remaining chunk of the protein bar dropped into my lap.

“Oh… I’m alright. Sorry about that,” I replied sheepishly. “I got distracted.”

Sanderson seemed to understand my thoughts. We rarely needed to exchange words – our minds were almost like one.

The van trundled to a halt. We had arrived at our destination.

___________________________________________________________________________________

Grand Central Terminal was one of the largest train stations in the world. It’s also one of the most packed.

We said our goodbyes and thanks to the driver, who proceeded to set up a strawberry stand with a sign reading, As the summer season ends, get the last of the fresh strawberries!

Nobody seemed to pay us any attention as we zig-zagged through the crowd. I clutched my ticket in one hand and a protein bar in the other.

The train whistled. We were just in time to board it.

Handing our tickets to the conductor, he let us pass through and we settled in the third to last car. The closer to the dining car, the better.

We took the same seating arrangement as in the van just as the train rumbled, and we started our half-day journey to Charleston, South Carolina.

I prayed that the train ride would be smooth. I received an answer from the seat in front of me. Grrrr.

Arts and Culture, Stories

America’s Shining Girls – Part 2.

by Harper Smith

(Find part one here!)

Mollie’s death was a tragedy, but unfortunately, it did not gain media coverage. For all they knew, it was one girl, who suffered tragically and died horrifically, but with no one to blame. Her story could very well have gone unknown–if it was not for the girls at the factories. In fact, one in particular, Irene Rudolph, may have been the one to truly start it all. In 1922, she began regularly seeing a dentist for much of the same problems that Mollie suffered from. Although the dentists she saw had never crossed paths with the man who operated on Maggia before her death, Irene had been friends with her, and after the similar stories from a few other women who’d also worked at the dial factory, she began to be suspicious. Doctors began to suspect the chemicals from the plant may have had something to do with it, but they could find no proof, the radium companies made too much profit to even consider looking into the issue. Radium is perfectly safe, they would say, and that was that. Meanwhile, former and current employee deaths began to pile up. 

But the girls and their families wouldn’t stand for that. They tried to sue the company, and two professional medical investigators were even hired to inspect the facility. But their reports came back unhelpful–the employees’ blood was “practically normal,” from all they could tell, and Radium Dial remained fully in business. In fact, when another former employee, Hazel Kuser, began to experience a rapid decline in her health, the firm refused to pay any of her crushing medical bills, and her family was soon nearly broke. A brave group of the suffering women–Grace Fryer, Katherine Schuab, Edna Hussman, and Quinta and Albina MacDonald–did eventually press a lawsuit against the firm, but it was a very slow-moving process, and although the presence of radiation was being discovered in the corpses of the fallen girls, the company conducted many schemes to keep them from winning. Despite their efforts, the case fell short.

It seemed hopeless, and it nearly was. But in 1937, seven years after the deaths of the original women who fought for the case, five new women took a stand for their rights. They were very ill–the radium had been working its way into their body for a long time now, and it had been taking its toll. Several of them could not even travel to court, including Catherine Wolfe Donohue, who was so sick by the time of the proceedings that doctors were not sure she’d live to see the hearing. But their ailing health only made them more determined. Their bodies’ luminous glow, which had once signified wonder and prosperity, now spelled their doom: radium poisoning has no cure. But they could not let other women continue to suffer as they did. And so they fought. They found a lawyer, Leonard Grossman, who took the case for free, as they were very poor. Radium Dial was by now very sick of these meddling women indeed–but as the papers began to report on the case, calling them “The Living Dead” and taking their side, the company began to sweat. 

The girls testified on February 10, 1938. They were pushing for money, a settlement from the company to help pay the medical bills they would not have had to face if it was not for radium, but it was more than that. They wanted the truth. They wanted the company to admit what they’d done, to them and to so many others: that they’d lead an entire generation of women to their untimely deaths just for profit. 

It was Catherine who would be their savior. She was so weak that she needed the support of at least two other people to stand, and her voice was quiet and faltering as she told her story. But tell it she did, laying out the years spent working as a dial painter and the illness that followed, the company’s firm insistence that there was nothing wrong with her or the other women. There’s nothing wrong with you–these were the words spoken by the company president when Charlotte Purcell came to him missing her entire left arm. When the firm stole Peg Looney’s body and removed her radiation-drenched bones so that her death could not be tied to them. When the dial painters begged, year after year, for some closure in what was happening to them. Some explanation for why their teeth were rotting, their limbs were shrinking, their bodies were becoming riddled with cancerous growths. We are blameless, Radium Dial would say, and send their fake doctors out with the “proof.” 

Catherine talked for hours at her hearing, but she could not go forever. Halfway through, doctors–real doctors–were brought in to share the reports they had taken of her illness. It was to help prove the existence of radium poisoning, but when they shared the horrible truth–radium is permanent. Radium is terminal.–she collapsed to the ground with a scream so anguished it could be heard from the corridors outside. Catherine had so much to live for: she had her husband, her three children, she had her fellow dial painters, who had become her closest friends. She had been holding out for a cure, and hearing that there was none was too much for her and her ailing body to bear. She was taken back to her home, but her spouse Tom stayed to hear the rest of the report. Months to live. Incurable in her stage. Your wife is going to die. 

She was too ill to leave her bed after the collapse–in fact, her physicians said it would prove immediately fatal. But Catherine Donohue was a fighter. She would not rest until she and her friends, and the countless others before them, saw justice. “It is too late for me…” she said, “ but maybe it will help some of the others.” The hearing resumed the next day, at her bedside.  Lawyers, doctors, judges, and friends all clustered together around her, straining to hear her muffled words. She demonstrated the ‘lip, dip, point’ routine that had led her to ingest so much poison. She told stories of how the firm had told her to paint better, faster, to not get any grease on the dials–but never that radium was toxic. Her voice was tired, and she struggled to keep her eyes open, but she fought. Catherine Donohue fought for all the women of Radium Dial, for her friends, herself, and for the rights of factory workers everywhere.

On April 5th, 1938, the verdict was ruled. 

They had found Radium Dial guilty. 

For years, the Radium Girls have been the unsung heroines of our country. Thanks to their bravery, radium poisoning was recognized as an official, deadly disease. Thanks to their desire for justice, workers’ rights everywhere were improved as they had never been before. Thanks to their determination, their fighting spirits that carried on through horrific suffering and fatal disease, they brought down a cruel organization that would have rather covered up murder than pay an ounce of money to their victims. These women are the true champions of America, and it’s up to you and me to remember their victory for years to come. 

(Author’s note: nearly all the information in this report was gathered from Kate Moore’s nonfiction novel “The Radium Girls.” It is a wonderful, informative book that shines light on these brave women and their individual stories. There was a plethora of information that I was not able to include in this two-part publication, and I sincerely hope that you consider going out and reading it, it is not an exaggeration to say it’s one of my all-time favorite books. The stories of Catherine, Grace, Mollie, Quinta, Albina, Peg, Inez, Charlotte, Marie, and so many more are not tales to be missed.)

Stories

The Midgard Serpent – Percy Jackson Fanfiction ~ Ch. 11 & 12

by Emery Pugh

Chapter 11

Percy

The serpent disappeared as soon as I set my eyes upon it. I blinked to make sure I wasn’t hallucinating. Time returned to normal speed.

Everyone rushed out of the meeting room and scrambled to assemble themselves into a fighting formation. I continued to stare at the spot where the serpent was. No one else appeared to see it. It must have been an illusion.

Across the Little Tiber, a massive siege tower was surrounded by a horde of hundreds of monsters. On top of the siege tower was another weapon – a snake made from Imperial gold, hissing and spitting out a green liquid, presumably venom. The tower could cause no end of trouble for us.

I had no time to dwell on the serpent issue.

I felt someone touch my shoulder. It was Annabeth.

“Are you going to fight?” she asked me.

I turned to face her and looked her in the eyes. “I thought this… was all over. I thought we were finally going to live a normal life together. As much as I want to avoid the chaos of demigod life, I can’t not fight for this camp. This is my home, just as much as Camp Half-Blood.”

She nodded and remained silent. I knew what her decision was without even asking her. That determined look said it all.

We both bolted for our rooms, which was where our weapons were. I uncovered my sword, in pen form, in a pocket of a spare set of jeans.

Outside, I found the legion fully assembled. I located the Fifth Cohort, the cohort I was once in, and positioned myself at the left flank.

The monsters across the Little Tiber gathered in clusters to cross the river into camp. The legion separated into its five cohorts, heading off to defend different weak points in Camp Jupiter’s defenses.

Dozens of massive, dark masses – hellhounds – jumped into the river and made a mad dash to our side. Water was my specialty – it was my job to stop them.

I concentrated and closed my eyes. Whirlpools swirled around the monsters, slowly sucking them down. They panicked and thrashed, but to no avail. A pit slowly formed in my gut – I willed a tidal wave to rise two stories into the air. The hellhounds were thrown into the air with the wave, yelping and waving their paws. (Their yelps, though, were like cannon blasts. Hellhounds are nothing like little puppies.) The wave/hellhound gang slammed into the siege tower, but to my disappointment, the tower was unshaken.

Ballistae cannons fired from the inner camp onto the siege tower and the monsters. I watched the cannonballs reach its apex and arc down, but they hit an invisible barrier and exploded midair.

Annabeth was studying the architecture of the siege tower – looking for weak points. “Percy, target the spot right above the doorway arch.”

I nodded with determination and focused all my energy on the water. These monsters were attacking the camp – my home. I would not let them do this. The pulling sensation in my gut increased, but I hardly noticed it. These monsters were after my friends and I – something I would not tolerate.

All my rage exploded from the river and crashed with tremendous force into the siege tower, right on the weak spot. I let out a primal scream, mostly from the pain in my gut. You try controlling a whole river, and you’ll be able to empathize with me.

The tower shook dangerously, swaying from side to side. The monsters tittered nervously and backed away.

And of course that’s when the venom-spitting snake started going nuts.

Did I mention that I have an intense hatred towards snakes? I’ve seen way too many – normal ones, snakes with 7 heads, massive serpents, and now a metal venom-spitting figurehead atop a tower.

Venom droplets sprayed everywhere. Campers crouched behind cover, but it did little – the venom melted even the Imperial gold shields and swords like butter in a hot pan. They had to get more distance to be safe.

“Get back!” I yelled. “Get behind cover, and get as far away as possible!”

“Everyone, follow me!” Frank held up his half-melted shield in front of his face.

An intense pain jolted up my right arm. I felt like it was being slowly sawed off at a point somewhere between my shoulder and elbow.

Only one word can describe than pain: a pure feeling of ow.

I looked in horror at my arm, which was now turning a green-ish purple. A venom droplet had struck me.

Within a few seconds, I probably cursed more than in the rest of my life. Hey, I couldn’t help it.

I uttered another primal scream, but this one was from pain. Then everything went black.

Chapter 12

Hector

I was, naturally, a little stunned. The son of Zeus (what was his name again?) just randomly selected me for the quest. I barely even knew what a quest was, and I didn’t know the guy.

The camp was silent. Chiron trotted over to me and put a hand on my shoulder.

“Congrats, Hector,” Chiron said, trying to have an encouraging tone. But it sounded like he was leading me to my grave. “Going on a quest is an honor.”

I gave a weak attempt at a timid smile. “Um, thanks.”

Walking back to my seat, I felt the eyes of the entire camp on me. I strained to not stare back at them and yell, What? Stop staring!

“Choose two more quest partners, Godric,” Chiron beckoned to him to continue.

Sanderson raised his hand. “I’ll be going.” He whispered something in Godric’s ear, who nodded.

Can I choose the other quest member? It echoed around the dining pavilion, but nobody else seemed to notice.

Suddenly, I realized why – at school, I’d even sometimes hear whispers across a noisy cafeteria. It was one of my powers as a demigod. Honestly, I didn’t know how extra good hearing could help much, but okay.

Sanderson’s gaze drifted over to a girl at the Iris table – who I presumed was his girlfriend. The girl smiled and stood up.

“I’ll go with Sanderson,” she said, putting an arm around him.

Chiron cleared his throat. “Alright, Andromeda. We have our quest team assembled. Get ready to depart next morning.”

___________________________________________________________________________________

Chiron called me to come over to the Big House that evening.

If you don’t know, the Big House is just a house that Chiron and some of the other camp leaders live in, and where stuff is stored.

I walked across the camp and climbed the stairs to the porch, where Chiron (in wheelchair form with his centaur lower body magically compacted) was sipping a lemonade. He gestured for me to take a seat.

“Hector… I need to tell you a few things about your quest.” Chiron drooped his head.

I held my breath, waiting.

“Quests…” Chiron took a deep breath. “Are very, very dangerous. I must stress the perils you will face. Hades chose to claim you at that moment because he wants you on the quest, and I won’t dispute that, but I feel guilty if I don’t give you a chance to back out.”

I swallowed. I barely even knew what was going on, or even what being a son of Hades meant – I’d never even met the guy. Garret and Hedge the mad whacker did their best to explain everything, but little made any sense.

A thousand and one questions ran through my mind. Would the camp make fun of me for chickening out? Would I die on this quest? Why are strawberries red?

Despite being new, the camp already felt like home. The Hades cabin wasn’t all that comfortable, and the last son of Hades who lived in there was off on a different dangerous quest. I made up my mind.

“I… I don’t know,” I admitted. “I barely know what’s going on. But I’m sure this camp is and was a home to many, and I’m willing to defend it.”

Chiron nodded gravely and made an attempt at a smile. “That’s the spirit of a hero. Good luck out there, Hector, and may the gods be with you.”

“Thanks,” I said weakly as I stood up to leave.

“Oh, and one more thing.” Chiron interrupted. “Usually at least one satyr accompanies the quest team… how would you like your old friend to go along?”

My heart leapt. “You mean… Garret?” Chiron nodded.

I grinned. Maybe this quest wouldn’t be so lonely after all.

Arts and Culture

Interview with Bake My Day Mimo

by Aleena Haimor

Mirvat “Mimo” Hachem-Osseili, AKA Bake My Day Mimo, is an incredible Lebanese-American home baker with a huge follower count on platforms such as YouTube, TikTok, and Instagram. She is very talented and well known for decorating beautiful, elaborate cakes. Mimo makes cakes that span all different styles. I had the privilege and honor of being able to interview my favorite influencer and cake artist last week through email.

Mirvat Hachem-Osseili. Source: @BakeMyDayMimo on YouTube

When did you first get into baking?

So I first got into baking when I was little and I would always bake my sisters their birthday cakes. It wasn’t until I quit teaching that I actually started to make this a career of mine.

What is your favorite dessert? 

For my favorite dessert, I don’t really have one. I think if I were to choose something to eat, it would most likely be tiramisu.

Who is your biggest inspiration?

My biggest inspiration used to be Cake Boss but I no longer look up to him anymore because he’s turned his place more into a factory. So now I just look up to home bakers who have started from nothing and have grown.

Source: @BakeMyDayMimo on YouTube

When did you start your YouTube (current main) channel?

I actually started my YouTube channel about 14 years ago but I haven’t been really active on it until about four years ago. 

What do you like to do in your free time?

I used to love to paint in my free time but I have so little free time that I just find myself kind of numbing my brain out and watching some of my favorite shows over and over and over again. I also like to read when I can.

Why do you love baking?

I love to bake because I love the joy that it brings people. It’s also a way for me to use my artistic abilities and be able to profit off of that.

What is your favorite cake that you’ve made so far?

My favorite cake that I’ve made so far is the Venom cake, I’m so proud of that and I’m just honestly kind of disappointed that it didn’t go viral.

Source: @BakeMyDayMimo on YouTube

How are you always so good at coping with negativity?

I’m glad that you think I’m good with negativity but I really am not. In fact, I feel myself getting super anxious when I read negative comments. So the only way I find that it makes me feel better is to reply sarcastically. But most of the time, I usually just block them.

What cake decorating tips and tricks can you offer for beginners?

Any tips and tricks for beginners, honestly I would just start off with simple YouTube videos about how to bake a cake, how to fill and ice a cake and how to cover a cake.

Lastly, What is some advice you have for people who want to start a business or get into baking?

The best advice I have for people who want to start a cake business is to make sure that they have an organizational plan in mind because that’s the only way that they will prevent burnout. Also, take a class on how to properly price cakes because I know I’m on the lower end and I truly never learned how to price them perfectly. 

Mimo, thank you so, so very much for doing this interview with me. I know you’re very busy, and I’m very grateful that you made the time to answer some of my questions. I loved getting to talk to you, and I really hope that you enjoyed the interview as much as I did!

You can check out Bake My Day Mimo at:

https://www.youtube.com/@BakeMyDayMimo (Youtube)

https://www.tiktok.com/@bakemydaymimo (TikTok)

https://www.instagram.com/bakemydaymimo1/ (Instagram)

https://www.snapchat.com/add/bakemydaymimo (Snapchat)

Be sure to drop a follow for her!