Arts and Culture, Stories

America’s Shining Girls – Part 2.

by Harper Smith

(Find part one here!)

Mollie’s death was a tragedy, but unfortunately, it did not gain media coverage. For all they knew, it was one girl, who suffered tragically and died horrifically, but with no one to blame. Her story could very well have gone unknown–if it was not for the girls at the factories. In fact, one in particular, Irene Rudolph, may have been the one to truly start it all. In 1922, she began regularly seeing a dentist for much of the same problems that Mollie suffered from. Although the dentists she saw had never crossed paths with the man who operated on Maggia before her death, Irene had been friends with her, and after the similar stories from a few other women who’d also worked at the dial factory, she began to be suspicious. Doctors began to suspect the chemicals from the plant may have had something to do with it, but they could find no proof, the radium companies made too much profit to even consider looking into the issue. Radium is perfectly safe, they would say, and that was that. Meanwhile, former and current employee deaths began to pile up. 

But the girls and their families wouldn’t stand for that. They tried to sue the company, and two professional medical investigators were even hired to inspect the facility. But their reports came back unhelpful–the employees’ blood was “practically normal,” from all they could tell, and Radium Dial remained fully in business. In fact, when another former employee, Hazel Kuser, began to experience a rapid decline in her health, the firm refused to pay any of her crushing medical bills, and her family was soon nearly broke. A brave group of the suffering women–Grace Fryer, Katherine Schuab, Edna Hussman, and Quinta and Albina MacDonald–did eventually press a lawsuit against the firm, but it was a very slow-moving process, and although the presence of radiation was being discovered in the corpses of the fallen girls, the company conducted many schemes to keep them from winning. Despite their efforts, the case fell short.

It seemed hopeless, and it nearly was. But in 1937, seven years after the deaths of the original women who fought for the case, five new women took a stand for their rights. They were very ill–the radium had been working its way into their body for a long time now, and it had been taking its toll. Several of them could not even travel to court, including Catherine Wolfe Donohue, who was so sick by the time of the proceedings that doctors were not sure she’d live to see the hearing. But their ailing health only made them more determined. Their bodies’ luminous glow, which had once signified wonder and prosperity, now spelled their doom: radium poisoning has no cure. But they could not let other women continue to suffer as they did. And so they fought. They found a lawyer, Leonard Grossman, who took the case for free, as they were very poor. Radium Dial was by now very sick of these meddling women indeed–but as the papers began to report on the case, calling them “The Living Dead” and taking their side, the company began to sweat. 

The girls testified on February 10, 1938. They were pushing for money, a settlement from the company to help pay the medical bills they would not have had to face if it was not for radium, but it was more than that. They wanted the truth. They wanted the company to admit what they’d done, to them and to so many others: that they’d lead an entire generation of women to their untimely deaths just for profit. 

It was Catherine who would be their savior. She was so weak that she needed the support of at least two other people to stand, and her voice was quiet and faltering as she told her story. But tell it she did, laying out the years spent working as a dial painter and the illness that followed, the company’s firm insistence that there was nothing wrong with her or the other women. There’s nothing wrong with you–these were the words spoken by the company president when Charlotte Purcell came to him missing her entire left arm. When the firm stole Peg Looney’s body and removed her radiation-drenched bones so that her death could not be tied to them. When the dial painters begged, year after year, for some closure in what was happening to them. Some explanation for why their teeth were rotting, their limbs were shrinking, their bodies were becoming riddled with cancerous growths. We are blameless, Radium Dial would say, and send their fake doctors out with the “proof.” 

Catherine talked for hours at her hearing, but she could not go forever. Halfway through, doctors–real doctors–were brought in to share the reports they had taken of her illness. It was to help prove the existence of radium poisoning, but when they shared the horrible truth–radium is permanent. Radium is terminal.–she collapsed to the ground with a scream so anguished it could be heard from the corridors outside. Catherine had so much to live for: she had her husband, her three children, she had her fellow dial painters, who had become her closest friends. She had been holding out for a cure, and hearing that there was none was too much for her and her ailing body to bear. She was taken back to her home, but her spouse Tom stayed to hear the rest of the report. Months to live. Incurable in her stage. Your wife is going to die. 

She was too ill to leave her bed after the collapse–in fact, her physicians said it would prove immediately fatal. But Catherine Donohue was a fighter. She would not rest until she and her friends, and the countless others before them, saw justice. “It is too late for me…” she said, “ but maybe it will help some of the others.” The hearing resumed the next day, at her bedside.  Lawyers, doctors, judges, and friends all clustered together around her, straining to hear her muffled words. She demonstrated the ‘lip, dip, point’ routine that had led her to ingest so much poison. She told stories of how the firm had told her to paint better, faster, to not get any grease on the dials–but never that radium was toxic. Her voice was tired, and she struggled to keep her eyes open, but she fought. Catherine Donohue fought for all the women of Radium Dial, for her friends, herself, and for the rights of factory workers everywhere.

On April 5th, 1938, the verdict was ruled. 

They had found Radium Dial guilty. 

For years, the Radium Girls have been the unsung heroines of our country. Thanks to their bravery, radium poisoning was recognized as an official, deadly disease. Thanks to their desire for justice, workers’ rights everywhere were improved as they had never been before. Thanks to their determination, their fighting spirits that carried on through horrific suffering and fatal disease, they brought down a cruel organization that would have rather covered up murder than pay an ounce of money to their victims. These women are the true champions of America, and it’s up to you and me to remember their victory for years to come. 

(Author’s note: nearly all the information in this report was gathered from Kate Moore’s nonfiction novel “The Radium Girls.” It is a wonderful, informative book that shines light on these brave women and their individual stories. There was a plethora of information that I was not able to include in this two-part publication, and I sincerely hope that you consider going out and reading it, it is not an exaggeration to say it’s one of my all-time favorite books. The stories of Catherine, Grace, Mollie, Quinta, Albina, Peg, Inez, Charlotte, Marie, and so many more are not tales to be missed.)

Arts and Culture

Interview with Bake My Day Mimo

by Aleena Haimor

Mirvat “Mimo” Hachem-Osseili, AKA Bake My Day Mimo, is an incredible Lebanese-American home baker with a huge follower count on platforms such as YouTube, TikTok, and Instagram. She is very talented and well known for decorating beautiful, elaborate cakes. Mimo makes cakes that span all different styles. I had the privilege and honor of being able to interview my favorite influencer and cake artist last week through email.

Mirvat Hachem-Osseili. Source: @BakeMyDayMimo on YouTube

When did you first get into baking?

So I first got into baking when I was little and I would always bake my sisters their birthday cakes. It wasn’t until I quit teaching that I actually started to make this a career of mine.

What is your favorite dessert? 

For my favorite dessert, I don’t really have one. I think if I were to choose something to eat, it would most likely be tiramisu.

Who is your biggest inspiration?

My biggest inspiration used to be Cake Boss but I no longer look up to him anymore because he’s turned his place more into a factory. So now I just look up to home bakers who have started from nothing and have grown.

Source: @BakeMyDayMimo on YouTube

When did you start your YouTube (current main) channel?

I actually started my YouTube channel about 14 years ago but I haven’t been really active on it until about four years ago. 

What do you like to do in your free time?

I used to love to paint in my free time but I have so little free time that I just find myself kind of numbing my brain out and watching some of my favorite shows over and over and over again. I also like to read when I can.

Why do you love baking?

I love to bake because I love the joy that it brings people. It’s also a way for me to use my artistic abilities and be able to profit off of that.

What is your favorite cake that you’ve made so far?

My favorite cake that I’ve made so far is the Venom cake, I’m so proud of that and I’m just honestly kind of disappointed that it didn’t go viral.

Source: @BakeMyDayMimo on YouTube

How are you always so good at coping with negativity?

I’m glad that you think I’m good with negativity but I really am not. In fact, I feel myself getting super anxious when I read negative comments. So the only way I find that it makes me feel better is to reply sarcastically. But most of the time, I usually just block them.

What cake decorating tips and tricks can you offer for beginners?

Any tips and tricks for beginners, honestly I would just start off with simple YouTube videos about how to bake a cake, how to fill and ice a cake and how to cover a cake.

Lastly, What is some advice you have for people who want to start a business or get into baking?

The best advice I have for people who want to start a cake business is to make sure that they have an organizational plan in mind because that’s the only way that they will prevent burnout. Also, take a class on how to properly price cakes because I know I’m on the lower end and I truly never learned how to price them perfectly. 

Mimo, thank you so, so very much for doing this interview with me. I know you’re very busy, and I’m very grateful that you made the time to answer some of my questions. I loved getting to talk to you, and I really hope that you enjoyed the interview as much as I did!

You can check out Bake My Day Mimo at:

https://www.youtube.com/@BakeMyDayMimo (Youtube)

https://www.tiktok.com/@bakemydaymimo (TikTok)

https://www.instagram.com/bakemydaymimo1/ (Instagram)

https://www.snapchat.com/add/bakemydaymimo (Snapchat)

Be sure to drop a follow for her!

Arts and Culture

Gold That Has Lasted – The Early Life and Poetry of Robert Frost

by Meru S.

In the land where grass grows gold

And gold itself does flourish;

In a city not yet shaken by Earth herself;

In the year of a thousand,

Eight centuries,

Seventy,

And four;

As the month of winds and rains

And of tender blossoms of fire,

Wandered away, unnoticed, with

Only five days left to live,

Was a life begotten.

A life that would piece together words—

Find refuge in words—

Words of joy and woe

And of mystical wonder . . .

To the eye of the reader.

And upon this life was the name of

Robert Lee Frost placed

In admiration, in imitation,

Of an esteemed soul,

A general of the South.

When had passed a pair of years,

Two months,

And one score and ten days,

Another, a sister, entered his life;

Together, they were alike and different.

When five years had grown him into a young boy,

The gentle Isabelle Frost

And the intoxicated William Frost

Sent him to kindergarten halfway across town,

With his trust in the driver of his horse-drawn bus

Who well-nigh failed to locate his passenger’s home,

Plunging the child into a pit of panic.

And he avoided school for many a year,

For his stomach was overcome with pain—

Perhaps fabricated . . .

Perhaps of true existence . . .

But successful, nonetheless.

And so, homeschooled he was,

In the art of numerals and reading,

In the weaving together of words.

And it was the latter that he was drawn to;

Errors in his copying of sentences

Drove him to a state of fury,

To rip the page from its bindings,

And to crush it to demolition.

Then tragedy struck,

Six years thereafter:

The death of his father;

Uprooting the family,

Sending them across the States

On a long, lonely journey aboard a train

To the east,

Where they resided with their kin,

Where his mother found employment

As a teacher of the middle grades.

And it was then and there that he attended school alongside others,

—Unaccompanied by a lack of complaint—

Yet again under the instruction of his mother, the schoolmistress . . .

It was to him all but engrossing;

His mother elected to ignore

The shavings of wood that amassed

Beneath his desk,

Fallen away from wooden figures.

He took no interest in reading,

He read no book until the age of fourteen—

Instead, uncovering a love of nature

That was bound to infuse his verses with its tranquility.

But a necessity to earn wages wrenched aside his attention,

Flinging it towards an undesired position at a shoe factory,

Until he quit from disrelish.

His pursual of further education lit a lamp,

Illuminated the works of the distinguished—

John Keats,

Edgar Allen Poe,

Inspired him to compose those of his own.

And so “La Noche Triste” manifested in his mind,

One night,

And like a river gliding down to form a lake,

It flowed from his mind

Through his pen

To meet his paper in physical appearance,

And he believed that it augured

The poet within him destined to be revealed—

The Monet of imagery,

Who would depict the bittersweet days

After Apple-Picking

With expression as free as the starlings’ flight;

Who would evoke a child to mount the branches of the

Birches,

To bow them with joy,

With exhilaration,

To ride skyward,

Away from the trammels of reality,

And to return once more,

To the earth,

To engagement,

To community and love;

A poem of two fragments combined.

And he took

A path less traveled

To tease his friend not through prose,

But through poetry,

Through stanzas seemingly sapient,

Through essence hidden in plain sight,

And it was not the poet’s wished significance

That was perceived then,

For, instead, it bewildered the recipient,

Who failed to look beyond its profound semblance,

Who primed the canvas for many a perusal to come.

And they have remained—

Sempiternal jewels,

Gold that has lasted,

Untarnished.

Arts and Culture

America’s Shining Girls: The Dark History of our Industry’s “Wonder Element”

by Harper Smith 

The year is 1898. Two scientists find themselves in the midst of making history–they have discovered a new element. Marie and Pierre Curie, in their study of radioactivity, found traces of something they had never seen before in a sample of uraninite ore. They named this element “radium,” and spent the next three years attempting to further prove its existence to the scientific community. It’s possible that you are aware of how this story ends. 36 years later, at age 66, Marie passes away due to aplastic anaemia, a disease of the blood cells. The cause? The chemist was known to have carried bottles of both polonium and radium, two extremely radioactive chemicals, in the pockets of her coat. The toxins caused her blood cells to be literally eaten away, bit by bit, until her body could no longer continue to function. The severity of the poison was so drastic that her remains have to be sealed in lead, along with nearly everything the scientist touched. Her notes are kept in a lead lined box and anyone who wishes to study them is required to wear protective suits–even her cookbooks are radioactive! After this, the element of radium was universally recognized as hazardous and kept locked away for only trained professionals to handle, and everyone lived happily ever after. 

At least, that’s what should have happened. 

Let us jump forward in time. It’s the early twentieth century, and everything is radium. There is radium in razor blades, toothpaste, cosmetics–even chocolate is being made with the toxic element! Radium is hailed as a miraculous cure-all due to its role in early forms of chemotherapy and spread wide in high-end stores across the country. And the business at the forefront of this craze is watches. “Liquid sunshine,” as the element was dubbed by some advertisers, had the ability to glow in the dark–bright and luminous and perfect for alarms and clock faces and most of all, watches. After all, who wouldn’t want to tell the time even amidst pitch-black darkness? Factories popped up everywhere, churning out a huge supply of the radium-coated time-tellers. Inside these factories were girls–the usual age being early twenties or late teens, with some as young as 13–and these girls had a very important job to do. They were known as the dial-painters and their role was simple: paint the clock faces with the radioactive paint. This alone may not have been deadly, if it weren’t for one factor. Lip, dip, paint. The girls, you see, were on a very strict schedule, and each watch had to be perfect. There was only one way they knew of to get their brushes to have that precise, fine tip, and that was by using their mouths to point the bristles. They would dip the brush into the radium-infused paint, then between their lips, then onto the dial, filling it in with the bright glow. The girls were told that this was healthy, that it was good for them, and each day they went home glowing like the very watches they painted. The radium powder coated their clothes, their skin, the tips of their tongues–America’s “shining girls,” they were called, floating through their towns like luminescent ghosts. It was a glamorous job, it paid well, it was so easy; what else could these women possibly need?

In October 1921, twenty-four year old Mollie Maggia, a dial painter of several years, made an appointment with a dentist named Joseph Knef. A few weeks prior, she had discovered a terrible ache in her mouth and had her tooth surgically removed. But the pain hadn’t left. Knef diagnosed her with pyorrhea, a common tissue disease, and operated on her to remove more teeth. But it didn’t help. The infection spread, ulcers grew in her gums, her teeth began to fall out all on their own, and on top of that she started experiencing seemingly unrelated aches in her leg and hip, so painful that she could barely walk. Knef attempted to operate on her jaw, only to find it literally disintegrated in his hands. He was mystified–Mollie was young, healthy, and on top of that she had worked with radium, the wonder element, for years. Why was this happening? 

A few weeks later, Mollie died. It was, as her sister Quinta put it, a “painful and terrible death,” caused when her mystery infection spread to her throat and caused her mouth to fill rapidly with blood, suffocating her. She left her friends, family members, and doctors all heartbroken and bewildered. The term “radium poisoning” would not be coined to describe her illness for many more years, and as far as they knew, there was no reason for any of this to have happened. Her death, painful and terrible as it was, had been completely and utterly unpredictable. 

Mollie Maggia was the first of the radium girls to succumb to this grisly fate. She would not, as the years went on, end up being the last. 

-To be continued-

Arts and Culture, Science

California’s Special Species – Part 1

by Sabine B.

Why is California so diverse? One reason is the abundance of different biomes and environments. The wide beaches and rocky cliffs of the coast regions border groves of redwood trees, oak woodlands merge into stands of fir and pine that give way to alpine meadows, and sage flats sprawl into sandy deserts. We have both the highest place in the continental US, Mount Whitney, and the lowest place, Badwater Basin. There are many different habitats in California which means there are a lot of different species. 

There is another reason as well! The land along the coast of California is part of a biome known as the chaparral biome, and those oak woodlands I mentioned are part of it. This biome is one of the rarest biomes on earth and it provides the perfect environment for lots of unique species. It only exists on the western side of continents and only from 40 degrees to 30 degrees north and south on either side of the equator. It is found along the coasts of Chile in South America, along the coast of Australia, along part of the coast of Africa, along the coast of California, and, in probably its most famous occurrence, in the Mediterranean in Europe (the chaparral biome is the reason for that ideal ‘Mediterranean climate’). The chaparral has mild wet winters and long hot summers. Its rain cycle is one of the things that sets it apart from other biomes. 

Due to its weather patterns, the plants of the chaparral have evolved adaptations that prevent drying out during droughts, and are fire resistant to protect against fires. The animals have adapted along with the plants. Because the chaparral zones are so far apart, and have such favorable conditions, and are so rare, species that settle in them often specialize to fit them. This means that chaparral zones are biodiversity hotspots. Those are places where more of the species living there are biologically unique than in other places. Just like in other biodiversity hotspots, California has many, many endemic species. They are found nowhere else in the world. Some of the species I will be sharing with you are found in only one or two counties in California. 

Every installment is researched and illustrated by me and will feature a native Californian animal, fungus, and plant. I will include the scientific name and the common name if there is one. I will also note something special about them. Feel free to look them up for more about them!  

Arts and Culture

“Spring” – A Shakespearean Sonnet

by Meru S.

When snowdrops burst forth from the sodden ground

And grass grows soft and green to soothe sore feet,

Then songbirds let their lilting tunes float ’round

And blossoms bloom with fragrance oh, so sweet.

Then warm zephyrs bring hues of bright sapphire

To paint the somber skies aglow and clear,

And streams flow free, their sounds a distant lyre

To ease the rough, stiff banks of aged wear.

Yet, as the days pass by, the sky lours,

Remembering, ruminating upon

Those dreary spells of leaden, sunless hours,

Of bitter day and misty, weeping dawn.

But golden joy fails not to reappear,

Arousing souls, for each to her is dear.

~~~~~~~~~~~~

A Note on Shakespearean Sonnets 

Shakespearean sonnets consist of two quatrains (a verse of four lines) praising the subject. A third quatrain follows, portraying a different perspective, and the poem concludes with a couplet (a verse of two lines) displaying the poet’s final thought on the subject. These sonnets are composed in iambic tetrameter—five feet per line, each containing one unstressed syllable and one accented syllable, and have a rhyme scheme of ababcdcdefefgg. Every other line of each quatrain rhymes and so do the two lines of the couplet.